Field drawings and photographs of phallic megaliths made by artist Alf Bayrle (1900-1982, father of Thomas Bayrle) during an anthropological expedition to Ethiopia in the 1930s are shown in Object Atlas for the first time together with the original stone and wood Ethiopian Megaliths collected by the museum.
Thomas Bayrle selected finely woven fish traps from Indonesia and New Guinea and designed his own ‘Trap for Stupid Cars’
Antje Majewski series of paintings related to mythical, prehistoric stones from New Guinea
Marc Camille Chaimowicz’ installation “The Frankfurt Suite, 2011” is based on floral elements from Indonesia and Samoa as well as selected hats, headrests and belts from Africa
Marc Camille Chaimowicz and Andrew Wheatley
Otobong Nkanga: weapons, jewellery and currency from West and Central Africa as well as new posters produced in Lagos and textiles woven in Tilburg
Simon Popper room 1
Simon Popper, West Africa cult figures
watercolours by Simon Popper and Peruvian Moche ceramics
Simon Popper, wall murals
exhibition views, Simon Popper rooms
The exhibition’s reading room features the Qumran Verlag, Frankfurt’s seminal publishing house. Initiated in the 1980s by writer and anthropologist Hans-Jürgen Heinrichs, Qumran’s books and artists’ editions epitomise the fertile dialogue between anthropologists, artists and writers in the twentieth century.
Entrance lobby of the Welkulturen Museum
visitors to the Welkutluren Museum during the opening
visitors outside the museum, waiting to enter the exhibition
OBJECT ATLAS – Fieldwork in the Museum
Weltkulturen Museum, Schaumainkai 29, Frankfurt am Main, Germany
25th January 2012 – 16th September 2012
Exhibition curated by Clémentine Deliss with artefacts from Angola, Brazil, Canada, the Democratic Republic of Congo, Ethiopia, Ghana, Namibia, Nigeria, New Guinea, Peru, Samoa and the Solomon Islands as well as artworks by Alf Bayrle (†), Helke Bayrle (D), Thomas Bayrle (D), Marc Camille Chaimowicz (UK/F), Sunah Choi (Korea), Antje Majewski (D), Otobong Nkanga (Nigeria) and Simon Popper (UK).
“Fieldwork, these days, doesn’t mean that I need to go to Africa to do my research. Instead, the museum with its laboratory is a transducer where forms of research on a micro-level can be developed. This begins with the experience of pulling open a drawer and watching the keeper of the collection take out an object and place it on the table in front of you. Just looking at artefacts in the museum’s stores has helped me to move forward.” (Thomas Bayrle, 2011)
“In all cultures there has been a constant exchange of materials, goods, ideas and people that consciously or unconsciously shapes, turns and shifts our perception. There’s always something somewhere from another culture. In this exhibition, artists make the objects move from one thought to another, from one space to another, creating a layering. They situate these objects once again, producing a new mapping for the 21st century. The word atlas gives a geographic body to all these artefacts without reducing them to a single world map.” (Otobong Nkanga)
For Object Atlas, seven artists were invited over the course of 2011 to Antje Majewski shows a series of paintings related to mythical, prehistoric stones from New Guinea expeditions into the heart of the museum’s stores in Frankfurt. Employing a contemporary approach to fieldwork and with a pronounced sensibility towards visual and material culture, each artist selected an assemblage of objects from the collection of over 67,000 artefacts. Working in close dialogue with the Weltkulturen Museum’s research curators, image archivists and librarians, the guest artists lived and worked in the newly established Weltkulturen Labor with its apartments, studios, seminar rooms, laboratory, and image bank. This unusual form of domestic fieldwork has resulted in an experimental set of new artworks, produced on site and directly related to the ethnographic collections of the museum.
The exhibition presents these artefacts in special vitrines designed by Mathis Esterhazy together with these new prototype artworks. Marc Camille Chaimowicz’ installation “The Frankfurt Suite, 2011” is based on floral elements from Indonesia and Samoa as well as selected hats, headrests and belts from Africa. Nigerian artist Otobong Nkanga shows weapons, jewellery and currency from West and Central Africa as well as new posters produced in Lagos and textiles woven in Tilburg. Antje Majewski shows a series of paintings related to mythical, prehistoric stones from New Guinea. Simon Popper examines historical inventory cards from the museum and uses these to develop a new series of paintings exhibited together with Peruvian Moche ceramics dating back over 2,000 years, cult figures from West Africa and betel lime containers from New Guinea. Thomas Bayrle selects finely woven fish traps from Indonesia and New Guinea and designs his own ‘Trap for Stupid Cars’. Helke Bayrle (D) and Sunah Choi (Korea) present a video shot in the museum’s stores that investigates the figurative detail on over one hundred artefacts. The exhibition’s reading room features the Qumran Verlag, Frankfurt’s seminal publishing house. Initiated in the 1980s by writer and anthropologist Hans-Jürgen Heinrichs, Qumran’s books and artists’ editions epitomise the fertile dialogue between anthropologists, artists and writers in the twentieth century. In addition, field drawings and photographs of phallic megaliths made by artist Alf Bayrle (1900-1982, father of Thomas Bayrle) during an anthropological expedition to Ethiopia in the 1930s are shown in Object Atlas for the first time together with the original stone and wood steles collected by the museum.
The exhibition is accompanied by a catalogue in German and English with unpublished essays by Richard Sennett, Paul Rabinow and the late Hubert Fichte, discussions between Lothar Baumgarten and Michael Oppitz, texts by Clémentine Deliss, Hans-Jürgen Heinrichs, Richard Kuba, Eva Ch. Raabe, Mona Suhrbier, Vanessa von Gliszczynski as well as interviews with the participating artists. Plus numerous facsimiles of anthropological texts and images. 512 pages, 250 colour illustrations/photographs, Kerber Verlag, € 35.
With the kind support of the Hessische Kulturstiftung, Frobenius-Institut and Kunsthaus Graz, Universalmuseum Joanneum. Media Partner, Frankfurter Allgemeine Zeitung.
For Object Atlas, seven artists were invited over the course of 2011 to Antje Majewski shows a series of paintings related to mythical, prehistoric stones from New Guinea expeditions into the heart of the museum’s stores in Frankfurt. Employing a contemporary approach to fieldwork and with a pronounced sensibility towards visual and material culture, each artist selected an assemblage of objects from the collection of over 67,000 artefacts. Working in close dialogue with the Weltkulturen Museum’s research curators, image archivists and librarians, the guest artists lived and worked in the newly established Weltkulturen Labor with its apartments, studios, seminar rooms, laboratory, and image bank. This unusual form of domestic fieldwork has resulted in an experimental set of new artworks, produced on site and directly related to the ethnographic collections of the museum.
The exhibition presents these artefacts in special vitrines designed by Mathis Esterhazy together with these new prototype artworks. Marc Camille Chaimowicz’ installation “The Frankfurt Suite, 2011” is based on floral elements from Indonesia and Samoa as well as selected hats, headrests and belts from Africa. Nigerian artist Otobong Nkanga shows weapons, jewellery and currency from West and Central Africa as well as new posters produced in Lagos and textiles woven in Tilburg. Antje Majewski shows a series of paintings related to mythical, prehistoric stones from New Guinea. Simon Popper examines historical inventory cards from the museum and uses these to develop a new series of paintings exhibited together with Peruvian Moche ceramics dating back over 2,000 years, cult figures from West Africa and betel lime containers from New Guinea. Thomas Bayrle selects finely woven fish traps from Indonesia and New Guinea and designs his own ‘Trap for Stupid Cars’. Helke Bayrle (D) and Sunah Choi (Korea) present a video shot in the museum’s stores that investigates the figurative detail on over one hundred artefacts. The exhibition’s reading room features the Qumran Verlag, Frankfurt’s seminal publishing house. Initiated in the 1980s by writer and anthropologist Hans-Jürgen Heinrichs, Qumran’s books and artists’ editions epitomise the fertile dialogue between anthropologists, artists and writers in the twentieth century. In addition, field drawings and photographs of phallic megaliths made by artist Alf Bayrle (1900-1982, father of Thomas Bayrle) during an anthropological expedition to Ethiopia in the 1930s are shown in Object Atlas for the first time together with the original stone and wood steles collected by the museum.
The exhibition is accompanied by a catalogue in German and English with unpublished essays by Richard Sennett, Paul Rabinow and the late Hubert Fichte, discussions between Lothar Baumgarten and Michael Oppitz, texts by Clémentine Deliss, Hans-Jürgen Heinrichs, Richard Kuba, Eva Ch. Raabe, Mona Suhrbier, Vanessa von Gliszczynski as well as interviews with the participating artists. Plus numerous facsimiles of anthropological texts and images. 512 pages, 250 colour illustrations/photographs, Kerber Verlag, € 35.
With the kind support of the Hessische Kulturstiftung, Frobenius-Institut and Kunsthaus Graz, Universalmuseum Joanneum. Media Partner, Frankfurter Allgemeine Zeitung.
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