Showing posts with label Carolina Caycedo. Show all posts
Showing posts with label Carolina Caycedo. Show all posts

Saturday, November 27, 2010

'CGEM: NOTES ON EMANCIPATION' CURATED BY MARIA INES RODRIGUEZ AT MUSAC


exhibition view



Carla Fernández, Papeles de Trabajo, Colección Primavera Verano, 2011 (Pop-Up Store)


Carolina Caycedo, Banners, 2007-2010



Adriana Lara, 5, From the Series Números (Ambiguación), Video, 2010



Carolina Caycedo, Caminemos Junt@s, 2010, Collective ownership tent


Judi Werthein, Salsipuedes / Exitifyoucan, 2010, Vinyl signs



CGEM: Notes on Emancipation
Curated by María Inés Rodríguez
with Carolina Caycedo (London, UK,1978), Carla Fernández (Saltillo, Coah, Mexico, 1973), Adriana Lara (Mexico City, Mexico, 1978) and Judi Werthein (Buenos Aires, Argentina, 1973).
October 23rd 2010 – January 9th 2011

'CGEM: Notes on Emancipation' presents a selection of pieces collaboratively produced by artists with different associations and local groups. Emancipation, in the broadest sense of the term, refers to any action that allows a person or a group of people to attain a state of autonomy by succeeding in freeing themselves from some authority or power to which they are subjected. Echoing the commemoration of the historical bicentenaries of independence of Latin American countries, the exhibition presents a series of artists who have produced a body of work focusing on the issues around emancipation. Over the past two hundred years great changes have shaken the Latin American continent. The transformations on political, social, economic and cultural levels, and their repercussions in the public sphere, have been topics of analysis on the part of experts, yet they also make for recurring topics in contemporary art. In this sense, artists act as witnesses of their time, as passeurs, critics, or analysts, expressing themselves through their work and questioning the cultural construction of history. The exhibition 'CGEM: Notes on Emancipation', is conceived as a global project generated by the guest artists, and includes a series of activities that will activate the space and allow public participation.

About the artists
Carolina Caycedo (London, UK,1978)
Caycedo lives and works in San Juan, Puerto Rico and her work addresses the effects of worldwide capitalism, with a practice rooted in the processes of communication, movement and exchange. Her varied projects, which range from street actions and mobile markets to public demonstrations, germinate into dialogues with communities outside the art world, and her works always refer to informal culture and economy. For Caycedo, the place of artistic experience extends beyond the studio or exhibition space, filtering into the broader context in which the artist lives and moves. The result is work that consists in creating opportunities for cooperation and dialogue among a wide range of individuals and communities, rather than objects of passive aesthetic contemplation. Caycedo constantly analyzes the borders between producers and consumers, professionals and amateurs, benefits and disadvantages, and art and society.

Adriana Lara (Mexico, 1978)
Lara lives and works in Mexico City and creates individual and group projects that are less based on the production of objects than on a conceptual approach to artistic production and the exhibition space. Lara focuses on artistic models, presenting problems or situations for the spectator’s reflection. Adriana Lara is co-founder of Perros Negros, an art production office that proposes new platforms for discourse and production, for the purpose of expanding creative projects and giving them visibility. Among other projects of Perros Negros, she is publisher of Pazmaker, a fanzine featuring articles by different authors. She has had solo shows at Gaga Arte Contemporaneo, Mexico City (2008); Galería Comercial, San Juan, Puerto Rico (2007); and Air de Paris, Paris, France (2007). Her work has been included in group shows such as San Juan Trienal Poligráfica, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico (2009); Galerie Isabella Bortolozzi, Berlin, Germany (2009); The Generational: Younger than Jesus, New Museum, New York (2009); and La Mamain et la Putain, Air de Paris, Paris, France (2006).

Judi Werthein(Buenos Aires, Argentina, 1973)
Werthein lives and works in New York. Through interdisciplinary work, she focuses her artistic investigation on the process of formation/construction of the individual and collective subject, with a particular interest in the interpretation of identities as flexible and untranslatable rather than static or fixed. Her work enables her to transmit the experience of outsiders through the language of mainstream culture, presenting the stereotypes of the Western capitalist conception from a different perspective. She has had solo shows at Art in General, New York, NY (2007); the Chianti Foundation, Marfa, Texas (2003); and the Bronx Museum, Bronx, NY (2002). Her work has been included in group shows such as Manifesta 7, Bolzano, Italy (2008); Beginning with a Bang: From Confrontation to Intimacy, Americas Society, New York, NY (2007); The irresistible Force, Tate Modern, London (2007); and In-Site San Diego, CA/Tijuana, Mexico (2005).

Carla Fernández (Saltillo, Coah, Mexico, 1973)
Fernández lives and works in Mexico City. She is a fashion designer, founder of “Taller Flora”, and winner of the International Young Fashion Entrepreneur 2008 award granted by the British Council during London Fashion Week. She is design consultant for the directorate of popular and native cultures of Conaculta in different communities of Mexico. Flora workshop operates as a travelling laboratory that is partly carried out in native communities and partly in Mexico City. The project seeks to create a sustainable option allowing the incorporation of craft processes in an effort to involve them in a contemporary scene without falling into folklorism. This pedagogy also contributes to establish links with different cooperatives and strengthen networks that function with principles of fair trade and materials that have positive ecological impacts.

http://www.musac.es

Thursday, February 18, 2010

CARLA, CAROLINA, TANIA AND JUDI: PROJECT ROOMS IN ARCO MADRID CURATED BY MARIA INES RODRIGUEZ, AND TWO MALE PROJECTS, NOT CURATED BY HER


Tania Bruguera's reconstruction of the stolen sign at the entrance of Auschwitz: 'Work makes you Free'



Carolina Caycedo's curtains, an hommage to Latin American female artists that have influenced her, built with clothes from female artists of Carolina's generation



Carla Zaccagnini's phrases written using her phonetical alfabet, the phrase reads 'Dividing the land to unite the World', which is found inscribed all over the Panama Canal


Carla Zaccagnini's video of her crossing the Panama Canal in a sail boat


Judi Werthein's 'Cosa' 2009, air from Madrid, in form of an elephant, made in China


Michael Linares homage to Sol Lewit: beer coolers and beers sculpture


and Santiago Sierra's 'NO, global tour'

Thursday, January 28, 2010

'IT IS IT' CURATED BY MARIA INES RODRIGUEZ IN PUERTO RICO


exhibition view, Carlos Garaicoa tables, David Shrigley 'It is It' painting, 2004


exhibition view


Claire Fontaine 'Passe-partout (Paris 10eme), 2006


Jenny Holzer, 1998




Martha Roesler, 'If it's too bad to be true, it could be DISINFORMATION', 1985



Carlos Garaicoa, 'To Transform Political Speech into Acts, Finally', 2005


Liam Gillick, 'An Experimental Factory in the North of Europe', 2004 (wish it was an experimental factory in the Caribbean!)


Lawrence Wiener, 1989


Gabriel Kuri, 'Quick Standards', 2006


Kendell Geers, 'Batons (circle)', 1994


exhibition view


Claire Fontaine, 'Foreigners Everywhere', 2007


Stan Douglas, 'Set for Inconsolable Memories, Vancouver), 2005


Allora & Calzadilla, 'Citizen-Ship', 2005


Stanley Brouwn, '1KM', 1976


Adrian Paci, 'Centro di Permanenza Temporanea', 2007


Jesus 'Bubu' Negron, 'Igualdad' 2004


Tania Bruguera 'Tatlin's Whisper no. 6', 2009


Carolina Caycedo, 'Herstory', 2009


Lutz Bacher, Carolina Caycedo


Lutz Bacher, 'Jokes (Barry Goldwater)', 1987


Exhibition reading room with lamps by Jorge Pardo (another way of being cuban different to Tania Bruguera's!)


David Lamelas, 'The Dictator'. 1978


Christoph Buchel, 'Parade', 2005




On Kawara 'I am Still Alive', 1984



in the Project Room: Carolina Caycedo, 'Swarm', 2009


Carolina Caycedo in front of her work


two cheverista women! curator Maria Ines Rodriguez and Carolina Caycedo


It is it and something else...
curated by Maria Ines Rodriguez

This season, Espacio 1414 presents three exhibitions that propose reflections
on the position of the artist towards the real, a confrontation of what the world
is and what it could be. Both It is It, Swarm and the works selected for the
Painting Room prove the complexity of the contemporary world and the geopolitical,
social and economic implications it entails. The new cartographies of
power that have arisen in the wake of contemporary conflicts, have redefined
new kinds of hierarchies and interests affecting civil society. Whether at a local
or a global level artists generate, through their work, another kind of cultural
construction that questions the universality of notions relating to territory,
totalitarianisms, displacement, belonging or exclusion and, therefore, the limits
of contemporaneity. Based upon the exhibited works, we state that art
continues to be one of the few remaining possibilities we have to create
interstices between terror and escape, room for reflection and discussion that
allows both artists and public to build a critical position towards the context in
which they live.

If, as writer Édouard Glissant pointed out, “the role of artists is to make certain
things visible in the mind and the imaginary so that change can come about”,
we might add that the role of the spectator, in turn, is to assume itself as an
active and emancipated player towards what the artist proposes, so that the
possible change suggested by Glissant can take place.

María Inés Rodríguez.
Curator.

http://www.espacio1414.org/